
I’m mostly in lurker mode through all your work/posts/commenters through this “torture doc” process. My interest is to comprehend it thoroughly. Don’t really know purposes of everyone participating here and related (Leopold/Kaye etc.), but for me purpose is to solidify and detail conditions in the world/USA etc., as this whole torture saga is (again, for me) a bell weather “canary in the mine” condition: all that it encompasses… the people involved, the ferocious misrepresented advocacy and misrepresentation to the public, the corrosive affect on institutions/gov AND cause/effect response internationally… again for me, at the very least, comprehending severe moral hazards as they exist is a required known.
With that said, your comment:
Because, as I pointed out here, they want to describe this as an “evolution,” but they’re basing that evolution on his diaries, which they had from the start. So if they’re claiming they’ve just decided the diaries are the only truthful way of determining who he was, then it means they ignoerd it to sustain claims that he was more than that.
I would assume that would be obvious to most who have followed your detailing of this. I find, however, that at times details tend to overwhelm the mind and I have to “step back” and take a few breaths.
But in that statement, the process of slip-shod moment-in-time assessments used as foundation upon which to propel wide ranging action, w/subsequent slip-shod >> more actions… rinse & repeat, on and on, error upon error… mess upon mess.
This is the “condition of things” out there. Looks to me like a tapestry, much wider and deeper, and much much more corrosive seen in it’s entirety than individual pieces and parts along the way.
So when you say:
This is the Iraq war all over again for them.
… for me anyway, I am always mindful of just that. Part of the larger tapestry, exemplary of enough individual events to constitute a way of doing this on such a scale that this way sucks the vitality out of so much else, sickening people who aren’t already corrupted, so on and so forth.
At the core, all the torture details are in most fundamental core, institutionalized dishonesty (lies). And this core was expressed through much more than 9/11 >> Iraq >> torture and that whole continuum.
The deceptions were expressed in most every avenue of government under the Bush Years: econ & all it’s related tentacles (SEC/FED/TREASURY/FICA-HUD, etc. etc.). It was expressed through the whole Ca. Energy Crisis/Enron thing, and in fact a whole process there similar to what topic of your article here was:
* lie about original cause (Ca. shortage of generation)
* Stock FERC w/cronies to “toe the line” (don’t look)
* ignored the forced/timed blackouts, ignored cutoff gas supply from Texas, not even look at generator plant shutdowns, etc. etc.
* Squeeze and force higher gas (fuel) prices based on fruadulent shortage.
After it was over… +/- 2 yrs after the fact, after saturating media w/original notions:
* CA. had it coming w/”not in our backyard” mentality
* ENRON (and related… there were many others) embodied morally grounded “free market” principles
… and FERC’s public denial of crimes throughout, they posted on their website confirmation that everything that CA. (and anyone watching w/clear eye) could see and said from the beginning, which I summarized above. They actually posted this. They also mistakenly posted their agreement w/various energy companies involved: that in exchange for admitting and detailing planned outages, there would be no fines/prosecutions/PUBLIC DISCLOSURE.
That template looks to me near identical to what you’ve described/summarized here.
As public was being fed “patriotism”, “freedom fries” and “liberation” along the way, I vividly recall having conversations w/people who were looking beyond headlines and deciphering details. Among common statements I (and others… both locally, in blogs etc.) made, was observation that cumulatively… eg. everything Iraq, one mega-tax cut after another concurrent w/mega-offshoring i>everything, w/simeoultaneous pronouncement of “economy is strong”, then W’s privatize SS initiative…
It seemed as though, w/these guys utter disdain for most anyone outside their elite circles, that they were deliberately setting out to backrupt the country… financially, morally, culturally.
It was Blitzkrieg on every front… saturating. Far and wide media saturation, far and wide financial reorganization, far and wide military action… and all of it covered up w/cheap, meaningless jingoism and primate based metaphors.
So now, in what could have been a major cleanup stage… this torture thing process seems just like the financial thing process:
* crimes & lies well documented, well enough detailed for anyone taking the time to comprehend them to understand.
* the public (gov) institutions w/power & authority to do something about ‘em… each and everyone corrupted along the way, gets to a point where there is opportunity for an accountability moment, as in the DOJ AW “evolution” filing that is topic of this post.
* whether financial, energy, or torture… as this opportunity arrives, these authorities utterly fail to do the job: we get something like what we’ve got in this DOJ “pleading”: “fuzzy math”, meaningless dismissall of self-evident facts/crimes w/massive (and I stress that word) affects… essentially, it seems to me, implicit acknowledgement from feds that all this shit is now institutionalized w/in US government, w/fall out in culture a factor not worthy of consideration.
Not good, not good at all. The good ship USA taking on a lot of water these days, and captains are telling the passengers to be calm.
Very useful to maintain a clear eye these days.
Music fans of tomorrow are kids of today, and the way they pay for digital content is through virtual worlds like Farmville and Penguin Town, which turn the acquisition of virtual goods — and digital music is nothing if not a virtual good — into a game.
Conduit Labs’ Music Pets app for Facebook may look cute, but it could have tangible ramifications for how music is discovered and sold in the future.
The goal of Music Pets is to entertain a virtual pet by training it to like the music you like, then using points to send the pet out to find more music to add to your collection. It sounds silly, but this cartoon-ish virtual world includes every element of the real-world music experience: getting recommendations, deciding whether you like songs, collecting music, and going over to your friends’ “houses” to play songs from your collection, which, as with just about everything else, requires that you expend points.
As with similar games, you can get everything you want for your pet and your music collection for free, so long as you have the time to add them to your pet’s training regimen by engaging in repetitive, somewhat amusing activities, including a Plinko-style game that has you trying to bounce balls onto all of the letters in a band’s name. Powering up for more points without spending lots of time requires that you pay up in real money, which is something many people simply don’t do for digital music in other contexts.
Conduit Labs passes on a percentage of revenue to labels, which then pass some of that along to artists and publishers. Is it possible that little furry cartoon characters from Tamagotchi-land will succeed where industry heavyweights have failed: in convincing kids to pay for music?
So far, the Music Pet Facebook app has drawn over a million users since its launch about a month ago, and the company recently inked a deal with the biggest record label in the world, Universal Music Group, to complement its healthy selection of independent labels (Beggars Group, Domino, Downtown and Modular) in Music Pet as well as its other games, Loudcrowd, which launched at SXSW last year and Super Dance. Rather than selling music at a specific price, the company keeps price vague, because users earn music through a combination of effort and time.
“The public perception of the value of a song is very skewed and has little to do with its actual price,” Conduit Labs founder Nabeel Hyatt told Wired.com. “We believe offering fun, social, interactive experiences with music is the best way to monetize.”
If the idea of grown men and women discovering and collecting music using a cute little avatar sounds absurd, you probably haven’t watched Jesse Schell’s DICE talk. If you don’t have the 20 minutes it takes to watch the whole thing, it can pretty much be summed up in one sentence: In the future, he claims, everything will be a game. It’s either a horrifying Orwellian vision of what’s to come or an indication that we’ll all be more amused in the coming years, depending on how you look at it.
In the real world, people typically discover music through other people, give it a listen, decide whether to acquire it, and then take it out for a spin every once in a while and maybe play the song for friends.
Music Pets replicates all of that, except that it makes every stage into a game. If Schell is right, this is a template for how the kids of today will purchase music tomorrow.
Here’s how it works:
training collars
Nicolle Overocker